Book review: The DaVinci Code

It seems like Dan Brown is trying to develop a new format: The ultra-condensed thriller. The action in his last book, Deception Point, took place over 48 hours, and most of the story in The Da Vinci Code unfolds over only 12 hours. Considering this, Brown still manages to pack an enormous amount of action into such a short time span. The book takes off within the first few pages, and it simply doesn’t let up until the (quite satisfying) conclusion. The action drives you forward, and there’s always a new event or question that you’re just burning to discover the explanation for.

Robert Langdon (a symbologist who was also the protagonist of Angels and Demons) becomes involved in a case of murder and gruesome self-mutilation at the Louvre, and to clear himself of blame, he must find clues in the bible, in ancient organizations such as the catholic church and the Priory of Sion and in the works of Leonardo Da Vinci, whose art never quite is what it seems.

The book works wonderfully as a thriller, but it works on another level as well: The alternative view on historical facts like bible history and the art of Leonardo da Vinci is extremely thought provoking. The book would work fine without it, it’s just that it adds a wonderful depth and believability that is rarely seen in a thriller. This is one of the best suspense novelse I’ve ever read, and I recommend it highly!

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